BEST PICTURE: "The Hurt Locker"

DIRECTING: Kathryn Bigelow "The Hurt Locker"

ACTRESS IN A LEADING ROLE: Sandra Bullock "The Blind Side"

ACTOR IN A LEADING ROLE: Jeff Bridges in "Crazy Heart"

FOREIGN LANGUAGE FILM: "The Secret in Their Eyes (El Secreto de Sus Ojos)" Argentina

FILM EDITING: "The Hurt Locker" Bob Murawski and Chris Innis

DOCUMENTARY (FEATURE): "The Cove" Louie Psihoyos and Fisher Stevens

VISUAL EFFECTS: "Avatar" Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones

MUSIC (ORIGINAL SCORE) "Up" Michael Giacchino

CINEMATOGRAPHY: "Avatar" Mauro Fiore

SOUND MIXING: "The Hurt Locker" Paul N.J. Ottosson and Ray Beckett

SOUND EDITING: "The Hurt Locker" Paul N.J. Ottosson

COSTUME DESIGN: "The Young Victoria" Sandy Powell

ART DIRECTION: "Avatar": Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair

ACTRESS IN A SUPPORTING ROLE: Mo'Nique in "Precious: Based on the novel 'Push' by Sapphire"

WRITING (ADAPTED SCREENPLAY): "Precious: Based on the Novel 'Push' by Sapphire" Screenplay by Geoffrey Fletcher

MAKEUP: "Star Trek" Barney Burman, Mindy Hall and Joel Harlow

SHORT FILM (LIVE ACTION): "The New Tenants" Joachim Back and Tivi Magnusson

DOCUMENTARY (SHORT SUBJECT): "Music by Prudence" Roger Ross Williams and Elinor Burkett

SHORT FILM (ANIMATED): "Logorama" Nicolas Schmerkin

WRITING (ORIGINAL SCREENPLAY): "The Hurt Locker" Written by Mark Boal

MUSIC (ORIGINAL SONG):"The Weary Kind (Theme from Crazy Heart)" from "Crazy Heart" Music and Lyric by Ryan Bingham and T Bone Burnett

ANIMATED FEATURE FILM: "Up" Pete Docter

ACTOR IN A SUPPORTING ROLE: Christoph Waltz in "Inglourious Basterds"

TECHNICAL ACHIEVEMENT AWARDS

Mark Wolforth and Tony Sedivy for their contributions to the development of the Truelight real-time 3-D look-up table hardware system.

Dr. Klaus Anderle, Christian Baeker and Frank Billasch for their contributions to the LUTher 3-D look-up table hardware device and color management software.

Steve Sullivan, Kevin Wooley, Brett Allen and Colin Davidson for the development of the iMoCap on-set performance capture system.

Hayden Landis, Ken McGaugh and Hilmar Koch for advancing the technique of ambient occlusion rendering.

Björn Hedén for the design and mechanical engineering of the silent, two-stage planetary friction drive Hedén Lens Motors.

SCIENTIFIC AND ENGINEERING AWARDS

Per Christensen, Michael Bunnell and Christophe Hery for the development of point-based rendering for indirect illumination and ambient occlusion.

Dr. Richard Kirk for the overall design and development of the Truelight real-time 3-D look-up table hardware device and color management software.

Volker Massmann, Markus Hasenzahl, Dr. Klaus Anderle and Andreas Loew for the development of the Spirit 4K/2K film scanning system as used in the digital intermediate process for motion pictures.

Michael Cieslinski, Dr. Reimar Lenz and Bernd Brauner for the development of the ARRISCAN film scanner, enabling high-resolution, high-dynamic range, pin-registered film scanning for use in the digital intermediate process.

Wolfgang Lempp, Theo Brown, Tony Sedivy and Dr. John Quartel for the development of the Northlight film scanner, which enables high-resolution, pin-registered scanning in the motion picture digital intermediate process.

Steve Chapman, Martin Tlaskal, Darrin Smart and Dr. James Logie for their contributions to the development of the Baselight color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process.