BEST PICTURE: "The Hurt Locker"
DIRECTING: Kathryn Bigelow "The Hurt Locker"
ACTRESS IN A LEADING ROLE: Sandra Bullock "The Blind Side"
ACTOR IN A LEADING ROLE: Jeff Bridges in "Crazy Heart"
FOREIGN LANGUAGE FILM: "The Secret in Their Eyes (El Secreto de Sus Ojos)" Argentina
FILM EDITING: "The Hurt Locker" Bob Murawski and Chris Innis
DOCUMENTARY (FEATURE): "The Cove" Louie Psihoyos and Fisher Stevens
VISUAL EFFECTS: "Avatar" Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
MUSIC (ORIGINAL SCORE) "Up" Michael Giacchino
CINEMATOGRAPHY: "Avatar" Mauro Fiore
SOUND MIXING: "The Hurt Locker" Paul N.J. Ottosson and Ray Beckett
SOUND EDITING: "The Hurt Locker" Paul N.J. Ottosson
COSTUME DESIGN: "The Young Victoria" Sandy Powell
ART DIRECTION: "Avatar": Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
ACTRESS IN A SUPPORTING ROLE: Mo'Nique in "Precious: Based on the novel 'Push' by Sapphire"
WRITING (ADAPTED SCREENPLAY): "Precious: Based on the Novel 'Push' by Sapphire" Screenplay by Geoffrey Fletcher
MAKEUP: "Star Trek" Barney Burman, Mindy Hall and Joel Harlow
SHORT FILM (LIVE ACTION): "The New Tenants" Joachim Back and Tivi Magnusson
DOCUMENTARY (SHORT SUBJECT): "Music by Prudence" Roger Ross Williams and Elinor Burkett
SHORT FILM (ANIMATED): "Logorama" Nicolas Schmerkin
WRITING (ORIGINAL SCREENPLAY): "The Hurt Locker" Written by Mark Boal
MUSIC (ORIGINAL SONG):"The Weary Kind (Theme from Crazy Heart)" from "Crazy Heart" Music and Lyric by Ryan Bingham and T Bone Burnett
ANIMATED FEATURE FILM: "Up" Pete Docter
ACTOR IN A SUPPORTING ROLE: Christoph Waltz in "Inglourious Basterds"
TECHNICAL ACHIEVEMENT AWARDS
Mark Wolforth and Tony Sedivy for their contributions to the development of the Truelight real-time 3-D look-up table hardware system.
Dr. Klaus Anderle, Christian Baeker and Frank Billasch for their contributions to the LUTher 3-D look-up table hardware device and color management software.
Steve Sullivan, Kevin Wooley, Brett Allen and Colin Davidson for the development of the iMoCap on-set performance capture system.
Hayden Landis, Ken McGaugh and Hilmar Koch for advancing the technique of ambient occlusion rendering.
Björn Hedén for the design and mechanical engineering of the silent, two-stage planetary friction drive Hedén Lens Motors.
SCIENTIFIC AND ENGINEERING AWARDS
Per Christensen, Michael Bunnell and Christophe Hery for the development of point-based rendering for indirect illumination and ambient occlusion.
Dr. Richard Kirk for the overall design and development of the Truelight real-time 3-D look-up table hardware device and color management software.
Volker Massmann, Markus Hasenzahl, Dr. Klaus Anderle and Andreas Loew for the development of the Spirit 4K/2K film scanning system as used in the digital intermediate process for motion pictures.
Michael Cieslinski, Dr. Reimar Lenz and Bernd Brauner for the development of the ARRISCAN film scanner, enabling high-resolution, high-dynamic range, pin-registered film scanning for use in the digital intermediate process.
Wolfgang Lempp, Theo Brown, Tony Sedivy and Dr. John Quartel for the development of the Northlight film scanner, which enables high-resolution, pin-registered scanning in the motion picture digital intermediate process.
Steve Chapman, Martin Tlaskal, Darrin Smart and Dr. James Logie for their contributions to the development of the Baselight color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process.